Works | sculpture Copy

Annie Trevorah

NOBU HOTEL/2026

The Dwelling took place at Nobu Hotel London Portman Square during Frieze. The site-responsive installation was presented by Mandy Zhang Art and curated by Joséphine May Bailey. The Dwelling takes the Earth as a shared home. Across the White Box exhibition space, foyer and lounge the hotel in Marylebone was filled with speculative beings and imagined ecologies. At its centre stood Becoming, a monumental sculpture both male and female, human and animal, the figure holds many bodies in one form. Around it, the Human Chrysalis series suspends mirrored chrome figures above sculptural flora and printed silk panels of imagined ecosystems.

MARINA SHTAGER/2026

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The solo show Natural Orders of Hybrid Ecologies for Marina Shtager brought together 11 new and existing works many concerned with water – from a giant seed pod boat and diminishing waterless fountain to printed silk with formations created from melted ice

MANDY ZHANG ART

WEST DEAN

Porifera (2025): Plaster, sea sponge, shell remnants, palm fingers, salt, hibiscus, H: 78 x W: 30 x D: 11 cm.
Equipped with legs, Porifera is released from the confines of the ocean.

NOHO/2025

Celebrating World Ocean Day, Altered Tides, an immersive exploration of oceanic time - envisions a world where fossils from the past emerge anew, corals show the scars of environmental decay, and marine creatures reclaim their presence on land.

Splat (2025): Plaster, kelp, nori, ostrich feather spine, glass, H: 110 x W: 80 x D: 18 cm.
Bringing to life sea vegetation.

Cacturon (2024): Sculpture: steel, flocking, Banksia pod, resin Base: resin, paint, pump, Raspberry Pi, sound, H: 180 x W: 200 x D: 100 cm.
Cacturon: towering and vibrant, serves to hydrate and repair with its dripping water and plant-like features.

Mucro (2024): Sculpture: plaster, paint, Ostrich quill.
Base: resin, paint, fans, speaker, Raspberry Pi, sound, H: 200 x W: 160 x D: 80 cm.
Mucro: with its juxtaposed organic and sharp elements, symbolises purification.

ALICE BLACK/2024

Officina (2024): Sculpture: steel, wasp hive, melted thermo plastic. Base: resin, diffuser, Oud, Raspberry Pi, Sound, H: 200 x W: 100 x D: 100 cm.

At the core of Nature is a Cyborg are five interactive eco-morphic characters, each endowed with unique healing powers and a mesmeric voice created from nature itself by sound artist Shane Mendosa.

Luciferina (2024): Steel, plaster, flocking, quartz, jute, LED lights Base: resin, paint, sound, H: 200 x W:120 x D:120 cm.
Luciferina: inspired by the glow of fireflies, utilises photosynthesis to emit light for renewal and growth.

RooIT (2024): Sculpture: steel, plaster, crinolene. Base: resin, paint, pump, speaker, Raspberry Pi, sound, H: 180 x W: 200 x D: 100 cm.
RooIT: embodies resilience and renewal, emitting a nutritious fluid to enrich the soil.

Predator II (2023): Resin, aluminium powder, 132 x W: 60 x D: 60 cm.
Predator 2: at once phallic and dentate, merges human and non-human.

Predator I (2023): Foam, pulp, stee, H: 152 x W: 182 x D: 182 cm.
With references to eco-feminism, this sculpture presents a glorious plant depicting untouchable female genitalia.

CHELSEA PHYSIC GARDEN/2023

Celebrating the 350th anniversary of Chelsea Physic Garden, Triffids introduces flora with unique sensory structures that breathe, eat, digest and move about, Numbering among such chimeras, are plants equipped with armour, thorns, spines and noxious defences that threaten the hubris of human exceptionalism in which we are predators but never prey.

INHUMANA (2023): Foam, resin, paint, H: 60 x W: 182 x D: 152 cm.
With seed pods and germination at risk from climate change, Inhumana represents the pod as a robust, sentient predator. Whose boat-like features enable it to travel further afield, disguised in the neutral tones of marble - historically attributed with symbolic manifestations of immortality.

TOMBS 4/4 (2022): Layered photographs printed on acrylic blocks, 42 x 59.4 x 4 cm,
Special project with Saatchi Gallery, London.

TOMBS 2/4 (2022): Layered photographs, acrylic blocks, 42 x 59.4 x 4 cm,
Special project with Saatchi.

TOMBS 1 (2022): Layered photographs, acrylic blocks, 42 x 59.4 x 4 cm,
Special project with Saatchi.

SAATCHI PROJECT/2022

The Anthropocene Collection: L.H. side features Tombs a special project with Saatchi Gallery

Rhythm: Japanese cedar driftwood, Rhthym (2022): Japanese cedar wood, piano strings, H: 128 x W: 182 cm.

PUBLIC

ANANAS (2025): Steel, colour-shifting paint, 2.75 m x 1.5 m. Fulham Palace

ANANAS (2025): Steel, colour-shifting paint, 2.75 m x 1.5 m. Holland Park, part of KCAW.

TOTEMS 2/4 (2022): Bronze resin, paint, granite boulder, 191 x 15 cm, boulder 83 x 53 cm. These voluptuous, totemic plants speak of our shared reproductive systems.

TOTEMS 3/4 (2022): Bronze resin, paint, curled branch, granite boulder, 64 x 16 cm, granite boulder 60 x 60cm. These voluptuous, totemic plants speak of our shared reproductive systems.

TOTEMS 3/4 (2022): Bronze resin, paint, clear resin top cast from Casava vegetable, granite boulder, 76 x 20 cm, granite boulder 61 x 42 cm. These voluptuous, totemic plants speak of our shared reproductive systems.

Featuring work displayed at Fulham Palace, Holland Park and Battersea Park

TOTEMS 1/4 (2022): Jesmonite, paint, granite boulder, 84 x 17 cm, boulder 51 x 30 cm
These voluptuous, totemic plants speak of our shared reproductive systems.

Memorial for a Memorial: Temporary replacement public sculpture for Babrbara Hepworth 'Single Form' with artist Annie Trevorah